Skip to main content

Umbrella | Sexual References


The interpretation of an umbrella as an erotic symbol dates back to Greco-Roman god Bacchus and his followers called bacchantes. Since Bacchus’s cult was mainly associated with pleasure, rave, and ecstasy, the usage of the umbrella in different occasions like festivals or events by cult members assigned an erotic meaning to that object. Later its associations were generally made with royalty and wealth and this aspect has been forgotten. After a long time has passed, the character named Henrietta Petowker in Nicholas Nickleby was portrayed as “[she] knows that she is admired at the theatre by the jauntily phallic appearance of a most preserving umbrella in the upper boxes” by Charles Dickens, while he was pointing out the erotic perception of the object. Sixty years later Freud explains the relationship of umbrellas with the unconscious as such “all elongated objects, sticks, tree-trunks, umbrellas (on account of the opening, which might be likened to an erection), all sharp and elongated weapons, knives, daggers, and pikes, represent the male member” in the Interpretation of Dreams. C. Philip Wilson analysis his patient’s dream based upon the Freudian umbrella as a symbol of the male genital and associates the umbrella image in his patient’s dream with his erection the day before he sees that dream. For him, the shaft of the umbrella symbolizes his erect phallus and the cloth of the opened umbrella represented the cloth of his trousers stretched by it. A similar association was made by Jacques Derrida in his book called Spurs: Nietzsche's Styles. He describes an umbrella as “hermaphroditic spur… of a phallus which is modestly enfolded in its veils” by rendering the umbrella simultaneously both as masculine and feminine.

Comments

Popular posts from this blog

The Umbrella

The word umbrella derives from the Latin where “umbra” means shadow.    Similarly, “para” defines shelter or shield, and “sol” means sun and they construct the word “parasol” which is used with the term umbrella interchangeably, yet parasols have a straight shaft different than the curved handle of the umbrella. As their etymological roots suggest, the primal intention of creating this object was the protection from exposure to the sun around four millennia before today. The early materials used in the construction were the tree leaves and branches until the invention of paper in China. The paper predecessors of this object later oiled since then the function of them have expanded from sunshade to protection from the rain even though they were not totally waterproof. These oil-paper parasols as well as dry, silk parasols made their way to Europe around Renaissance and became a fashionable trend amongst women. In 1708 The Kersey’s Dictionary defined the umbrella as “a scre...

The Mirror Stage

I believe that cinema can be defined as an allegory of the mirror. This simile will not be built solely by focusing on the mirror scenes in the films but by comparing psychoanalytic aspects of both the cinema as an art form and the mirror. I will start with the emphasis on Lacan’s Mirror Stage since it is a formative theory about how the image of self is created before language and why it is crucial for a human being to function as a unified viable entity. Firstly, it can be claimed that humans are not born with an adequate number of instincts to make them conceptualize disparate bodily experiences. Therefore, the relation between the organism and its reality is needed to be established in order to differentiate the external and internal stimulants. In the mirror stage where the infants come across with their reflection, this “separation-individuation” is formed for the sake of ego subjectivity, since the baby observes its own body integrity in a full-length mirror. In the times that h...