What do I really do?

I believe that the artworks based on traditional mediums are not sufficient anymore in the case of interacting with its audience, because of the mass image consumption and low attention time of today’s people. Thus, the audience acts as a “passive observer” in front of these conventional works of art. That being the case, the observation of the audience can not transform into an individual experience especially in organizations like art fairs where the space is limited regarding the number of the exhibited artworks. Newer, more experimental forms of art are needed to make it experienced. That’s why I put performance at the center of my artistic creation. I prioritize the artistic creative process over an end product. In performative artworks, the creative process itself is presented with all of its being while open to any kind of manipulation, in contrast to a painting that is bought by one who owns a matching interior design. Both the space where the performance comes into existence and the interference of its “participants” shapes the happening instantly while detracting the artwork from systematization. The interference of the audience includes both visible interactions and invisible motives as triggers of the action and reaction. These factors contribute to the randomness and uncertainty of “happening” while referencing the creative process itself. I want to focus on the open-ended and evolutionary nature of the works. I believe that this is the only way the observation can transform into a personal experience and the artworks are open to act of perception. Artworks that include human and machine interactions underline the effect of chance and accidentality by welcoming them. If the structure of the machine system is based on interaction, the state or act of its audience becomes an input, it can be even the pulse rate of one, an instant unique response will be generated as performer reacts. From this point of view, I want to create works that combine performance and technology.

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The Umbrella

The word umbrella derives from the Latin where “umbra” means shadow. Similarly, “para” defines shelter or shield, and “sol” means sun and they construct the word “parasol” which is used with the term umbrella interchangeably, yet parasols have a straight shaft different than the curved handle of the umbrella. As their etymological roots suggest, the primal intention of creating this object was the protection from exposure to the sun around four millennia before today. The early materials used in the construction were the tree leaves and branches until the invention of paper in China. The paper predecessors of this object later oiled since then the function of them have expanded from sunshade to protection from the rain even though they were not totally waterproof. These oil-paper parasols as well as dry, silk parasols made their way to Europe around Renaissance and became a fashionable trend amongst women. In 1708 The Kersey’s Dictionary defined the umbrella as “a screen commonly us

Umbrella | Sexual References

The interpretation of an umbrella as an erotic symbol dates back to Greco-Roman god Bacchus and his followers called bacchantes. Since Bacchus’s cult was mainly associated with pleasure, rave, and ecstasy, the usage of the umbrella in different occasions like festivals or events by cult members assigned an erotic meaning to that object. Later its associations were generally made with royalty and wealth and this aspect has been forgotten. After a long time has passed, the character named Henrietta Petowker in Nicholas Nickleby was portrayed as “[she] knows that she is admired at the theatre by the jauntily phallic appearance of a most preserving umbrella in the upper boxes” by Charles Dickens, while he was pointing out the erotic perception of the object. Sixty years later Freud explains the relationship of umbrellas with the unconscious as such “all elongated objects, sticks, tree-trunks, umbrellas (on account of the opening, which might be likened to an erection), all sharp and elonga

Umbrella | Political References

The umbrella can protect people from various factors as well as the rain and sun. In 2014, umbrellas gained the mission of protecting the crowd from pepper spray and rubber bullets during the protests in Hong Kong regarding more transparent elections, which were later named “The Umbrella Movement”. The object, particularly the yellow ones, became a symbol for protests and in general used as a tool for passive resistance. In 2019, during the time of the Anti-Extradition Law Amendment Bill Movement again in Hong Kong, the object carried the importance of collective expression, privacy, and self-defense for protesters in the same manner yet umbrellas have been labeled as weapons by police forces so that the ordering of the object from e-commerce platforms like AliExpress was banned. Beyond being a symbol of resistance, umbrellas were used as camouflage to provide privacy for protesters, as a shield and defense mechanism for protection against police forces as the people from protests clai

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